-
1 Bruce Lee
m.Bruce Lee, Lee Yuen Kam. -
2 Bruce Lee
n. Bruce Lee, (1941-1973) Amerikaanse acteur geboren in San Fransisco en in Hong Kong opgroeide die expert was in de Kung Fu (beschouwd als de grootste filmacteur in vechtskunsten van de 20-ste Eeuw; onder zijn films: "Way of the Dragon"en "Enter The Dragon") -
3 Bruce Lee's (pl)
Табуированная лексика: соски в возбуждённом состоянии -
4 Bruce Lee's
Табуированная лексика: (pl) соски в возбуждённом состоянии -
5 Bruce Lee
◙ n. ברוס לי (1941-1973) אומן לחימה ושחקן אמריקאי שנולד בסן-פרנסיסקו (קליפורניה) וגדל בהונג קונג (נחשב לשחקן הקולנוע הגדול ביותר לאמנויות לחימה של המאה ה-20)* * *◙ (02-ה האמה לש המיחל תויונמאל רתויב לודגה עונלוקה ןקחשל בשחנ) גנוק גנוהב לדגו (הינרופילק) וקסיסנרפ-ןסב דלונש יאקירמא ןקחשו המיחל ןמוא (3791-1491) יל סורב◄ -
6 Bruce Lee
-
7 Lee, Bruce
(1940-1973) Ли, БрюсАктер и спортсмен. Настоящее имя - Ли Юнь Гам [Lee Yuen Kam]. В 18-летнем возрасте переехал из Китая в США. Непревзойденный мастер каратэ и конфу, звезда Голливуда [ Hollywood]; снялся в ряде остросюжетных фильмов, фабула которых завязана на китайских единоборствах: "Яростный кулак" ["Fists of Fury"] (1971), "Китайский связной" ["The Chinese Connection"] (1972), "Возвращение Дракона" ["Return of the Dragon"] (1973), "Явление Дракона" ["Enter the Dragon"] (1973). Триллер "Смертельная игра" ["Game of Death"] (1977) вышел через четыре года после смерти Ли, который умер во время съемок этого фильма -
8 Ли, Брюс
Bruce Lee -
9 이소룡
Bruce Lee -
10 ברוס לי
Bruce Lee (1941-1973), U.S. actor born in San Francisco (California) and grew up in Hong Kong who was an expert in kung fu (considered to be the greatest martial arts movie actor of the 20th century; amongst his movies: "Way of the Dragon" and "Enter The Dragon") -
11 соски в возбуждённом состоянии
Taboo: Bruce Lee's ( pl)Универсальный русско-английский словарь > соски в возбуждённом состоянии
-
12 Ли Брюс
кино Bruce LeeДополнительный универсальный русско-английский словарь > Ли Брюс
-
13 Witney, William N.
1915-2002En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.English-Spanish dictionary of western films > Witney, William N.
-
14 Newfield, Sam
1899-1964Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis. -
15 English, John
1903-1969Britanico de nacimiento, director de series y seriales, correcto pero impersonal, al que asociamos al mundo del western y, en particular, a algunas de sus estrellas de los anos 30 y 40, como Robert Livingston, Bob Steele o Gene Autry. Peliculas, siempre, que rondan la hora de duracion.The Red Blood of Courage. 1935. 55 minutos. Blanco y Negro. Ambassador Kermit Maynard, Ann Sheridan.His Fighting Blood. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Polly Ann Young.Arizona Days. 1937. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Eleanor Stewart.Whistling Bullets. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Harley Wood.Zorro Rides Again (co-d.: William Witney). 1937. 212 minutos. 12 capitu los. Blanco y Negro. Republic. John Carroll, Helen Christian.Call the Mesquiteers. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Lynne Roberts, Ray Corrigan, Max Terhune.The Lone Ranger (co-d.: William Witney). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.The Lone Ranger Rides Again (co-d.: William Witney). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.Zorro’s Fighting Legion (co-d.: William Witney). 1939. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.Hi-Yo Silver (co-d.: William Witney). 1940. 69 minutos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.King of the Royal Mounted (El rey de la policia montada). (co-d.: William Witney). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.Adventures of Red Ryder (co-d.: William Witney). 1940. 205 min. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Beery, Vivian Austin.Gangs of Sonora. 1941. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Helen McKellar.King of the Texas Rangers (co-d.: William Witney). 1941. 215 minutos. 12 capitulos. Blanco y Negro. Republic. Sammy Baugh, Pauline Moore, Duncan Renaldo.Code of the Outlaw. 1942. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Melinda Leighton.Raiders of the Range. 1942. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Lois Collier.Westward Ho. 1942. 56 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Evelyn Brent.Yukon Patrol (co-d.: William Witney). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.The Phantom Plainsmen. 1942. 65 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Lois Collier.King of the Mounted. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.Valley of Hunted Men. 1942. 60 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Jimmie Dodds, Anna Marie Stewart.Thundering Trails. 1943. 56 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Jimmie Dodds, Nell O’Day.Dead Man’s Gulch. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn MerrickDaredevils of the West. 1943. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Kay Aldridge, Eddie Acuff.The Man from Thunder River. 1943. 57 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Black Hills Express. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Wally Vernon, Ariel Heath.Death Valley Manhunt. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Overland Mail Robbery. 1943. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Raiders of Sunset Pass. 1943. 57 minutos. Blanco y Negro. Republic. Eddie Dew, Jennifer Holt, Smiley Burnette.The Laramie Trail. 1944. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Linda Brent, Smiley Burnette.Silver City Kid. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Wally Vernon.San Fernando Valley (co-d.: Yakima Canutt). 1944. 77 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Jean Porter.Utah. 1945. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes, Peggy Stewart.Don’t Fence Me In. 1945. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes, Bob Nolan.Trail to San Antone. 1947. 67 minutos. Blanco y Negro. Republic. Gene Autry, Peggy Stewart, Sterling Holloway.The Last Round-Up. 1947. 76 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Jean Heather, Carol Thurston.The Strawberry Roan. 1948. 76 minutos. Cinecolor. Gene Autry Productions (Columbia). Gene Autry, Gloria Henry, Pat Buttram.Loaded Pistols. 1948. 77 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Barbara Britton, Chill Wills.Riders of the Whistling Pines. 1949. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Patricia White, Jimmy Lloyd.Rim of the Canyon. 1949. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Nan Leslie, Thurston Hall.The Cowboy and the Indians. 1949. 68 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Sheila Ryan, Frank Richards.Riders in the Sky. 1949. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gloria Henry, Pat Buttram.Sons of New Mexico. 1950. 71 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Robert Armstrong.Mule Train. 1950. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Sheila Ryan, Pat Buttram.Cow Town. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Harry Shannon.Beyond the Purple Hills. 1950. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Jo Dennison, Pat Buttram.Indian Territory. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.The Blazing Sun. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Lynne Roberts, Pat Buttram, Anne Gwynne.Gene Autry and the Mounties. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Elena Verdugo, Pat Buttram.Whirlwind. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Smiley Burnette.Silver Canyon. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.The Hills of Utah. 1951. 70 minutos. Blanco y Negro. Gene Autry Produc tions (Columbia). Gene Autry, Elaine Riley, Pat Buttram, Donna Martell.Valley of Fire. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.Zorro Rides Again (co-d.: William Witney). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo. -
16 Gannaway, Albert C.
Nacido en Charlottesville, Virginia, Albert C. Gan naway, que firmo frecuentemente como Al Ganna way, dirigio nueve peliculas, la mayoria de las cuales tambien produjo e incluso una, la primera, Hidden Guns, tambien escribio. Casi toda su obra esta formada por westerns no demasiado interesantes. Su nombre deja de aparecer en los titulos de credito de las peliculas a comienzos de los anos 60, precisamente con ocasion de realizar su ultimo western, Buffalo Gun.Hidden Guns. 1956. 66 minutos. Blanco y Negro. Republic. Richard Arlen, Bruce Bennett, Angie Dickinson.Daniel Boone, Trail Blazer (co-d.: Ismael Rodriguez). 1956. 76 minutos. Trucolor. Keen Line/Republic. Bruce Bennett, Lon Chaney, Jr, Jacqueline Evans.The Badge of Marshal Brennan. 1957. 74 minutos. Blanco y Negro. Allied. Jim Davis, Arleen Whelan, Lee Van Cleef.Raiders of Old Arizona. 1957. 72 minutos. Blanco y Negro. Republic. Jim Davis, Arleen Whelan, Lee Van Cleef.Man or Gun. 1958. 79 minutos. Blanco y Negro. Naturama. Republic. MacDonald Carey, James Gleason, Audrey Totter, James Craig.Plunderers of Painted Flats. 1959. 77 minutos. Blanco y Negro. Naturama. Republic. John Carroll, George MacReady, Corinne Calvet.Buffalo Gun. 1961. 72 minutos. Blanco y Negro. Globe Enterprises. Webb Pierce, Marty Robbins, Don Barry, Ellen Kay.English-Spanish dictionary of western films > Gannaway, Albert C.
-
17 James, Alan
1890-1952 (o Alvin J. Neitz)Realizador y guionista, Alan James, que popularizo su seudonimo, Alvin J. Neitz, repartio sus casi 80 realizaciones entre el cine mudo y el sonoro, a partes iguales. Curiosamente, y a pesar de que ambas funciones, la de director y la de guionista, las simultaneo, no es excesiva la cifra de las peliculas en que de sempeno ambos cometidos. Fue todo lo prolifico que las circunstancias –peliculas de una hora de duracion en productos baratos de consumo inmediato– aconsejaban. Casi la tercera parte de sus westerns sonoros los protagonizo el actor Ken Maynard.Firebrand Jordan. 1930. 55 minutos. Blanco y Negro. National Players/Big 4. Lane Chandler, Aline Goodwin, Yakima Canutt.Canyon Hawks (co-d.: J.P. McGowan). 1930. 60 minutos. Blanco y Negro. Big 4. Yakima Canutt, Rene Borden, Wally Wales.Trails of Peril. 1930. 63 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Breed of the West. 1930. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire, Buzz Barton.Red Fork Range. 1931. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Ruth Mix.Hell’s Valley. 1931. 55 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Pueblo Terror. 1931. 59 minutos. Blanco y Negro. Cosmos. Jay Wilsey, Jack Harvey, Wanda Hawley.Flying Lariats (co-d.: David Kirkland). 1931. 60 minutos. Blanco y Negro. Big 4. Wally Wales, Sam Garrett, Buzz Barton, Bonnie Gray.Lariats and Sixshooters. 1931. 55 minutos. Blanco y Negro. Cosmos. Jack Perrin, Ann Lee.Come On, Tarzan (Con Tarzan me basta/Tarzan, potro salvaje). 1932. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Merna Kennedy, Kate Campbell.Tex Takes a Holiday. 1932. 60 minutos. Naturalcolor. Argosy. Wallace MacDonald, Virginia Brown Faire, James Dillon.Tombstone Canyon. 1932. 62 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Cecilia Parker.Phantom Thunderbolt. 1933. 63 minutos. Blanco y Negro. World Wide. Ken Maynard, Frances Lee, Frank Rice.The Lone Avenger (El vengador solitario). 1933. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Muriel Gordon.King of the Arena. 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Lucile Browne.The Trail Drive. 1933. 60 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker, Frank Rice.Strawberry Roan (El potro indomable). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Ruth Hall, Frank Yaconelli.Fargo Express (El incorregible). 1933. 61 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Helen Mack.Gun Justice (Un mal paso). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Wheels of Destiny (Tierra de promision). 1934. 64 minutos. Blanco y Negro. Universal. Ken Maynard, Dorothy Dix.Honor of the Range (Deuda de honor). 1934. 61 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Smoking Guns (La vuelta del perseguido). 1934. 62 minutos. Blanco y Negro. Universal. Ken Maynard, Gloria Shea.When a Man Sees Red. 1934. 60 minutos. Blanco y Negro. Universal. Buck Jones, Peggy Campbell, LeRoy Mason, Dorothy Revier.Valley of Wanted Men. 1935. 62 minutos. Blanco y Negro. Ambassador. Frankie Darro, LeRoy Mason.Swifty. 1935. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, June Gale.Lucky Terror. 1936. 61 minutos. Blanco y Negro. Grand National. Hoot Gibson, Lona Andre.Wild Horse Round-Up. 1936. 58 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Beth Marion.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1937. 212 minu tos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.West of Rainbow’s End. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Kathleen Eliot.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Land of Fighting Men. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Bruce Bennett, Louise Stanley.Call of the Rockies. 1938. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Donald Grayson, Iris Meredith, Bob Nolan.Two Gun Justice. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Betty Compson.Flaming Frontiers (co-d.: Ray Taylor). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Trigger Smith. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant.Wild Horse Stampede. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles.The Law Rides Again. 1943. 58 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles. -
18 Ray, Bernard B.
1895-1964B.B. Ray, Franklyn Shamray, Ray Bernard, Raymond Samuels y Raymond K. Johnson son seudonimos utilizados por este prolifico director, que fue tambien productor, guionista y hasta director de fotografia en alguna ocasion; Bernard B. Ray es uno de los fun dadores de Re liable Pictures, para quien dirigio un buen punado de peliculas y, en particular, un buen punado de westerns. En su filmografia aparecen Jack Perrin, Tom Tyler, Bob Custer, Rex Lease, Addison o Jack Randall, Fred Scott, es decir, algunos de los mas importantes heroes del western de los anos 30. Las peliculas de Ray no son hermosas ni importantes, pero tampoco destacan negativamente de sus hermanas de genero, con los mismos actores, dirigidas por otros mu chos realizadores intercambiables con el.West of the Rockies (Raymond Johnson). 1931. 60 minutos. Blanco y Negro. Syndicate. Ben Lyon, Marie Prevost, Gladys Johnston.Mystery Ranch (El rancho del misterio). 1934. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Roberta Gale, Jack Perrin, Louise Gabo.Rawhide Mail. 1934. 59 minutos. Blanco y Negro. Reliable. Jack Perrin, Nelson McDowell, Lillian Gilmore, Lafe McKee.Loser’s End. 1934. 58 minutos. Blanco y Negro. Reliable. Jack Perrin, Tina Menard, Frank Rice.Coyote Trails. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Alice Dahl, Ben Corbett.Silent Valley. 1935. 60 minutos. Blanco y Negro. Reliable. Tom Tyler, Nancy Deshon, Al Bridge, Wally Wales.The Silver Bullet. 1935. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Jayne Regan, Charles King, Lafe McKee.The Test. 1935. 60 minutos. Blanco y Negro. Reliable. Monte Blue, Grace Ford, Grant Whiters.Rio Rattler (Franklin Shamray). 1935. 55 minutos. Blanco y Negro. Reliable. Tom Tyler, Marion Shilling, Eddie Gribbon.Texas Jack. 1935. 52 minutos. Blanco y Negro. Reliable. Jack Perrin, Jayne Regan, Nelson McDowell, Budd Buster.Ridin’ On. 1936. 56 minutos. Blanco y Negro. Reliable. Tom Tyler, Joan Barclay, Rex Lease.Caryl of the Mounties. 1936. 68 minutos. Blanco y Negro. Reliable. Francis X. Bushman, Lois Wilde.Roamin’ Wild. 1936. 58 minutos. Blanco y Negro. Reliable. Tom Tyler, Carol Wyndham, Max Davidson, Al Ferguson.Ambush Valley (Franklin Shamray). 1936. 57 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, Wally Wales.Vengeance of Rannah (Raymond Samuels). 1936. 59 minutos. Blanco y Negro. Reliable. Bob Custer, Victoria Vinton, John Elliott.Santa Fe Rides (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Bob Custer, Eleanor Stewart, Ed Cassidy.The Silver Trail (Raymond Samuels). 1937. 58 minutos. Blanco y Negro. Reliable. Rex Lease, Mary Russell, Ed Cassidy.Code of the Fearless (Raymond K. Johnson). 1939. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.In Old Montana (Raymond K. Johnson). 1939. 61 minutos. Blanco y Negro. Spectrum. Fred Scott, Jean Carmen, John Merton.Smoky Trails. 1939. 57 minutos. Blanco y Negro. Metropolitan. Bob Steele, Jean Carmen, Ted Adams.Two Gun Troubador (Raymond K. Johnson). 1939. 58 minutos. Blanco y Negro. Spectrum. Fred Scott, Claire Rochelle, John Merton.The Cheyenne Kid (Raymond K. Johnson). 1940. 56 minutos. Blanco y Negro. Monogram. Addison Randall, Louise Stanley, Frank Yaconelli.Covered Wagon Trails (Raymond K. Jonson). 1940. 52 minutos. Blanco y Negro. Monogram. Jack Randall, Sally Cairns, Budd Buster.Pinto Canyon (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Metropolitan. Bob Steele, Louise Stanley, Ted Adams.Land of the Six Guns (Raymond K. Johnson). 1940. 54 minutos. Blanco y Negro. Monogram. Jack Randall, Louise Stanley, Glenn Strange.The Kid from Santa Fe (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Clarene Curtis, Jimmy Aubrey.Riders from Nowhere (Raymond K. Johnson). 1940. 55 minutos. Blanco y Negro. Monogram. Jack Randall, Margaret Roach, Ernie Adams.Wild Horse Range (Raymond K. Johnson). 1940. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Phyllis Ruth, Frank Yaconelli.Ridin’ the Trail (Raymond K. Johnson). 1940. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Iris Lancaster, Harry Harvey.Law of the Wolf (Raymond K. Johnson). 1941. 55 min. Blanco y Ne gro. Metropolitan. Dennis Moore, Luana Walters, Jack Ingram, Robert Frazer.Buffalo Bill Rides Again. 1947. 70 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Jennifer Holt, John Dexter, Ted Adams.Hollywood Barn Dance. 1947. 72 minutos. Blanco y Negro. Screen Guild. Ernest Tubb, Lori Nelson, Helen Boyce, Earle Hodgins.Timber Fury. 1950. 63 minutos. Blanco y Negro. Eagle Lion. David Bruce, Laura Lee, George Slocum.Buffalo Bill in Tomahawk Territory. 1952. 66 minutos. Blanco y Negro. Jack Schwarz (UA). Clayton Moore, Slim Andrews, Sharon Dexter, Tom Hubbard.English-Spanish dictionary of western films > Ray, Bernard B.
-
19 Bibliography
■ Aitchison, J. (1987). Noam Chomsky: Consensus and controversy. New York: Falmer Press.■ Anderson, J. R. (1980). Cognitive psychology and its implications. San Francisco: W. H. Freeman.■ Anderson, J. R. (1983). The architecture of cognition. Cambridge, MA: Harvard University Press.■ Anderson, J. R. (1995). Cognitive psychology and its implications (4th ed.). New York: W. H. Freeman.■ Archilochus (1971). In M. L. West (Ed.), Iambi et elegi graeci (Vol. 1). Oxford: Oxford University Press.■ Armstrong, D. M. (1990). The causal theory of the mind. In W. G. Lycan (Ed.), Mind and cognition: A reader (pp. 37-47). Cambridge, MA: Basil Blackwell. (Originally published in 1981 in The nature of mind and other essays, Ithaca, NY: University Press).■ Atkins, P. W. (1992). Creation revisited. Oxford: W. H. Freeman & Company.■ Austin, J. L. (1962). How to do things with words. Cambridge, MA: Harvard University Press.■ Bacon, F. (1878). Of the proficience and advancement of learning divine and human. In The works of Francis Bacon (Vol. 1). Cambridge, MA: Hurd & Houghton.■ Bacon, R. (1928). Opus majus (Vol. 2). R. B. Burke (Trans.). Philadelphia, PA: University of Pennsylvania Press.■ Bar-Hillel, Y. (1960). The present status of automatic translation of languages. In F. L. Alt (Ed.), Advances in computers (Vol. 1). New York: Academic Press.■ Barr, A., & E. A. Feigenbaum (Eds.) (1981). The handbook of artificial intelligence (Vol. 1). Reading, MA: Addison-Wesley.■ Barr, A., & E. A. Feigenbaum (Eds.) (1982). The handbook of artificial intelligence (Vol. 2). Los Altos, CA: William Kaufman.■ Barron, F. X. (1963). The needs for order and for disorder as motives in creative activity. In C. W. Taylor & F. X. Barron (Eds.), Scientific creativity: Its rec ognition and development (pp. 153-160). New York: Wiley.■ Bartlett, F. C. (1932). Remembering: A study in experimental and social psychology. Cambridge: Cambridge University Press.■ Bartley, S. H. (1969). Principles of perception. London: Harper & Row.■ Barzun, J. (1959). The house of intellect. New York: Harper & Row.■ Beach, F. A., D. O. Hebb, C. T. Morgan & H. W. Nissen (Eds.) (1960). The neu ropsychology of Lashley. New York: McGraw-Hill.■ Berkeley, G. (1996). Principles of human knowledge: Three Dialogues. Oxford: Oxford University Press. (Originally published in 1710.)■ Berlin, I. (1953). The hedgehog and the fox: An essay on Tolstoy's view of history. NY: Simon & Schuster.■ Bierwisch, J. (1970). Semantics. In J. Lyons (Ed.), New horizons in linguistics. Baltimore: Penguin Books.■ Black, H. C. (1951). Black's law dictionary. St. Paul, MN: West Publishing.■ Bloom, A. (1981). The linguistic shaping of thought: A study in the impact of language on thinking in China and the West. Hillsdale, NJ: Erlbaum.■ Bobrow, D. G., & D. A. Norman (1975). Some principles of memory schemata. In D. G. Bobrow & A. Collins (Eds.), Representation and understanding: Stud ies in Cognitive Science (pp. 131-149). New York: Academic Press.■ Boden, M. A. (1977). Artificial intelligence and natural man. New York: Basic Books.■ Boden, M. A. (1981). Minds and mechanisms. Ithaca, NY: Cornell University Press.■ Boden, M. A. (1990a). The creative mind: Myths and mechanisms. London: Cardinal.■ Boden, M. A. (1990b). The philosophy of artificial intelligence. Oxford: Oxford University Press.■ Boden, M. A. (1994). Precis of The creative mind: Myths and mechanisms. Behavioral and brain sciences 17, 519-570.■ Boden, M. (1996). Creativity. In M. Boden (Ed.), Artificial Intelligence (2nd ed.). San Diego: Academic Press.■ Bolter, J. D. (1984). Turing's man: Western culture in the computer age. Chapel Hill, NC: University of North Carolina Press.■ Bolton, N. (1972). The psychology of thinking. London: Methuen.■ Bourne, L. E. (1973). Some forms of cognition: A critical analysis of several papers. In R. Solso (Ed.), Contemporary issues in cognitive psychology (pp. 313324). Loyola Symposium on Cognitive Psychology (Chicago 1972). Washington, DC: Winston.■ Bransford, J. D., N. S. McCarrell, J. J. Franks & K. E. Nitsch (1977). Toward unexplaining memory. In R. Shaw & J. D. Bransford (Eds.), Perceiving, acting, and knowing (pp. 431-466). Hillsdale, NJ: Lawrence Erlbaum Associates.■ Breger, L. (1981). Freud's unfinished journey. London: Routledge & Kegan Paul.■ Brehmer, B. (1986). In one word: Not from experience. In H. R. Arkes & K. Hammond (Eds.), Judgment and decision making: An interdisciplinary reader (pp. 705-719). Cambridge: Cambridge University Press.■ Bresnan, J. (1978). A realistic transformational grammar. In M. Halle, J. Bresnan & G. A. Miller (Eds.), Linguistic theory and psychological reality (pp. 1-59). Cambridge, MA: MIT Press.■ Brislin, R. W., W. J. Lonner & R. M. Thorndike (Eds.) (1973). Cross- cultural research methods. New York: Wiley.■ Bronowski, J. (1977). A sense of the future: Essays in natural philosophy. P. E. Ariotti with R. Bronowski (Eds.). Cambridge, MA: MIT Press.■ Bronowski, J. (1978). The origins of knowledge and imagination. New Haven, CT: Yale University Press.■ Brown, R. O. (1973). A first language: The early stages. Cambridge, MA: Harvard University Press.■ Brown, T. (1970). Lectures on the philosophy of the human mind. In R. Brown (Ed.), Between Hume and Mill: An anthology of British philosophy- 1749- 1843 (pp. 330-387). New York: Random House/Modern Library.■ Bruner, J. S., J. Goodnow & G. Austin (1956). A study of thinking. New York: Wiley.■ Calvin, W. H. (1990). The cerebral symphony: Seashore reflections on the structure of consciousness. New York: Bantam.■ Campbell, J. (1982). Grammatical man: Information, entropy, language, and life. New York: Simon & Schuster.■ Campbell, J. (1989). The improbable machine. New York: Simon & Schuster.■ Carlyle, T. (1966). On heroes, hero- worship and the heroic in history. Lincoln: University of Nebraska Press. (Originally published in 1841.)■ Carnap, R. (1959). The elimination of metaphysics through logical analysis of language [Ueberwindung der Metaphysik durch logische Analyse der Sprache]. In A. J. Ayer (Ed.), Logical positivism (pp. 60-81) A. Pap (Trans). New York: Free Press. (Originally published in 1932.)■ Cassirer, E. (1946). Language and myth. New York: Harper and Brothers. Reprinted. New York: Dover Publications, 1953.■ Cattell, R. B., & H. J. Butcher (1970). Creativity and personality. In P. E. Vernon (Ed.), Creativity. Harmondsworth, England: Penguin Books.■ Caudill, M., & C. Butler (1990). Naturally intelligent systems. Cambridge, MA: MIT Press/Bradford Books.■ Chandrasekaran, B. (1990). What kind of information processing is intelligence? A perspective on AI paradigms and a proposal. In D. Partridge & R. Wilks (Eds.), The foundations of artificial intelligence: A sourcebook (pp. 14-46). Cambridge: Cambridge University Press.■ Charniak, E., & McDermott, D. (1985). Introduction to artificial intelligence. Reading, MA: Addison-Wesley.■ Chase, W. G., & H. A. Simon (1988). The mind's eye in chess. In A. Collins & E. E. Smith (Eds.), Readings in cognitive science: A perspective from psychology and artificial intelligence (pp. 461-493). San Mateo, CA: Kaufmann.■ Cheney, D. L., & R. M. Seyfarth (1990). How monkeys see the world: Inside the mind of another species. Chicago: University of Chicago Press.■ Chi, M.T.H., R. Glaser & E. Rees (1982). Expertise in problem solving. In R. J. Sternberg (Ed.), Advances in the psychology of human intelligence (pp. 7-73). Hillsdale, NJ: Lawrence Erlbaum Associates.■ Chomsky, N. (1957). Syntactic structures. The Hague: Mouton. Janua Linguarum.■ Chomsky, N. (1964). A transformational approach to syntax. In J. A. Fodor & J. J. Katz (Eds.), The structure of language: Readings in the philosophy of lan guage (pp. 211-245). Englewood Cliffs, NJ: Prentice-Hall.■ Chomsky, N. (1965). Aspects of the theory of syntax. Cambridge, MA: MIT Press.■ Chomsky, N. (1972). Language and mind (enlarged ed.). New York: Harcourt Brace Jovanovich.■ Chomsky, N. (1979). Language and responsibility. New York: Pantheon.■ Chomsky, N. (1986). Knowledge of language: Its nature, origin and use. New York: Praeger Special Studies.■ Churchland, P. (1979). Scientific realism and the plasticity of mind. New York: Cambridge University Press.■ Churchland, P. M. (1989). A neurocomputational perspective: The nature of mind and the structure of science. Cambridge, MA: MIT Press.■ Churchland, P. S. (1986). Neurophilosophy. Cambridge, MA: MIT Press/Bradford Books.■ Clark, A. (1996). Philosophical Foundations. In M. A. Boden (Ed.), Artificial in telligence (2nd ed.). San Diego: Academic Press.■ Clark, H. H., & T. B. Carlson (1981). Context for comprehension. In J. Long & A. Baddeley (Eds.), Attention and performance (Vol. 9, pp. 313-330). Hillsdale, NJ: Lawrence Erlbaum Associates.■ Clarke, A. C. (1984). Profiles of the future: An inquiry into the limits of the possible. New York: Holt, Rinehart & Winston.■ Claxton, G. (1980). Cognitive psychology: A suitable case for what sort of treatment? In G. Claxton (Ed.), Cognitive psychology: New directions (pp. 1-25). London: Routledge & Kegan Paul.■ Code, M. (1985). Order and organism. Albany, NY: State University of New York Press.■ Collingwood, R. G. (1972). The idea of history. New York: Oxford University Press.■ Coopersmith, S. (1967). The antecedents of self- esteem. San Francisco: W. H. Freeman.■ Copland, A. (1952). Music and imagination. London: Oxford University Press.■ Coren, S. (1994). The intelligence of dogs. New York: Bantam Books.■ Cottingham, J. (Ed.) (1996). Western philosophy: An anthology. Oxford: Blackwell Publishers.■ Cox, C. (1926). The early mental traits of three hundred geniuses. Stanford, CA: Stanford University Press.■ Craik, K.J.W. (1943). The nature of explanation. Cambridge: Cambridge University Press.■ Cronbach, L. J. (1990). Essentials of psychological testing (5th ed.). New York: HarperCollins.■ Cronbach, L. J., & R. E. Snow (1977). Aptitudes and instructional methods. New York: Irvington. Paperback edition, 1981.■ Csikszentmihalyi, M. (1993). The evolving self. New York: Harper Perennial.■ Culler, J. (1976). Ferdinand de Saussure. New York: Penguin Books.■ Curtius, E. R. (1973). European literature and the Latin Middle Ages. W. R. Trask (Trans.). Princeton, NJ: Princeton University Press.■ D'Alembert, J.L.R. (1963). Preliminary discourse to the encyclopedia of Diderot. R. N. Schwab (Trans.). Indianapolis: Bobbs-Merrill.■ Dampier, W. C. (1966). A history of modern science. Cambridge: Cambridge University Press.■ Darwin, C. (1911). The life and letters of Charles Darwin (Vol. 1). Francis Darwin (Ed.). New York: Appleton.■ Davidson, D. (1970) Mental events. In L. Foster & J. W. Swanson (Eds.), Experience and theory (pp. 79-101). Amherst: University of Massachussetts Press.■ Davies, P. (1995). About time: Einstein's unfinished revolution. New York: Simon & Schuster/Touchstone.■ Davis, R., & J. J. King (1977). An overview of production systems. In E. Elcock & D. Michie (Eds.), Machine intelligence 8. Chichester, England: Ellis Horwood.■ Davis, R., & D. B. Lenat (1982). Knowledge- based systems in artificial intelligence. New York: McGraw-Hill.■ Dawkins, R. (1982). The extended phenotype: The gene as the unit of selection. Oxford: W. H. Freeman.■ deKleer, J., & J. S. Brown (1983). Assumptions and ambiguities in mechanistic mental models (1983). In D. Gentner & A. L. Stevens (Eds.), Mental modes (pp. 155-190). Hillsdale, NJ: Lawrence Erlbaum Associates.■ Dennett, D. C. (1978a). Brainstorms: Philosophical essays on mind and psychology. Montgomery, VT: Bradford Books.■ Dennett, D. C. (1978b). Toward a cognitive theory of consciousness. In D. C. Dennett, Brainstorms: Philosophical Essays on Mind and Psychology. Montgomery, VT: Bradford Books.■ Dennett, D. C. (1995). Darwin's dangerous idea: Evolution and the meanings of life. New York: Simon & Schuster/Touchstone.■ Descartes, R. (1897-1910). Traite de l'homme. In Oeuvres de Descartes (Vol. 11, pp. 119-215). Paris: Charles Adam & Paul Tannery. (Originally published in 1634.)■ Descartes, R. (1950). Discourse on method. L. J. Lafleur (Trans.). New York: Liberal Arts Press. (Originally published in 1637.)■ Descartes, R. (1951). Meditation on first philosophy. L. J. Lafleur (Trans.). New York: Liberal Arts Press. (Originally published in 1641.)■ Descartes, R. (1955). The philosophical works of Descartes. E. S. Haldane and G.R.T. Ross (Trans.). New York: Dover. (Originally published in 1911 by Cambridge University Press.)■ Descartes, R. (1967). Discourse on method (Pt. V). In E. S. Haldane and G.R.T. Ross (Eds.), The philosophical works of Descartes (Vol. 1, pp. 106-118). Cambridge: Cambridge University Press. (Originally published in 1637.)■ Descartes, R. (1970a). Discourse on method. In E. S. Haldane & G.R.T. Ross (Eds.), The philosophical works of Descartes (Vol. 1, pp. 181-200). Cambridge: Cambridge University Press. (Originally published in 1637.)■ Descartes, R. (1970b). Principles of philosophy. In E. S. Haldane & G.R.T. Ross (Eds.), The philosophical works of Descartes (Vol. 1, pp. 178-291). Cambridge: Cambridge University Press. (Originally published in 1644.)■ Descartes, R. (1984). Meditations on first philosophy. In J. Cottingham, R. Stoothoff & D. Murduch (Trans.), The philosophical works of Descartes (Vol. 2). Cambridge: Cambridge University Press. (Originally published in 1641.)■ Descartes, R. (1986). Meditations on first philosophy. J. Cottingham (Trans.). Cambridge: Cambridge University Press. (Originally published in 1641 as Med itationes de prima philosophia.)■ deWulf, M. (1956). An introduction to scholastic philosophy. Mineola, NY: Dover Books.■ Dixon, N. F. (1981). Preconscious processing. London: Wiley.■ Doyle, A. C. (1986). The Boscombe Valley mystery. In Sherlock Holmes: The com plete novels and stories (Vol. 1). New York: Bantam.■ Dreyfus, H., & S. Dreyfus (1986). Mind over machine. New York: Free Press.■ Dreyfus, H. L. (1972). What computers can't do: The limits of artificial intelligence (revised ed.). New York: Harper & Row.■ Dreyfus, H. L., & S. E. Dreyfus (1986). Mind over machine: The power of human intuition and expertise in the era of the computer. New York: Free Press.■ Edelman, G. M. (1992). Bright air, brilliant fire: On the matter of the mind. New York: Basic Books.■ Ehrenzweig, A. (1967). The hidden order of art. London: Weidenfeld & Nicolson.■ Einstein, A., & L. Infeld (1938). The evolution of physics. New York: Simon & Schuster.■ Eisenstein, S. (1947). Film sense. New York: Harcourt, Brace & World.■ Everdell, W. R. (1997). The first moderns. Chicago: University of Chicago Press.■ Eysenck, M. W. (1977). Human memory: Theory, research and individual difference. Oxford: Pergamon.■ Eysenck, M. W. (1982). Attention and arousal: Cognition and performance. Berlin: Springer.■ Eysenck, M. W. (1984). A handbook of cognitive psychology. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Fancher, R. E. (1979). Pioneers of psychology. New York: W. W. Norton.■ Farrell, B. A. (1981). The standing of psychoanalysis. New York: Oxford University Press.■ Feldman, D. H. (1980). Beyond universals in cognitive development. Norwood, NJ: Ablex.■ Fetzer, J. H. (1996). Philosophy and cognitive science (2nd ed.). New York: Paragon House.■ Finke, R. A. (1990). Creative imagery: Discoveries and inventions in visualization. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Flanagan, O. (1991). The science of the mind. Cambridge MA: MIT Press/Bradford Books.■ Fodor, J. (1983). The modularity of mind. Cambridge, MA: MIT Press/Bradford Books.■ Frege, G. (1972). Conceptual notation. T. W. Bynum (Trans.). Oxford: Clarendon Press. (Originally published in 1879.)■ Frege, G. (1979). Logic. In H. Hermes, F. Kambartel & F. Kaulbach (Eds.), Gottlob Frege: Posthumous writings. Chicago: University of Chicago Press. (Originally published in 1879-1891.)■ Freud, S. (1959). Creative writers and day-dreaming. In J. Strachey (Ed.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 9, pp. 143-153). London: Hogarth Press.■ Freud, S. (1966). Project for a scientific psychology. In J. Strachey (Ed.), The stan dard edition of the complete psychological works of Sigmund Freud (Vol. 1, pp. 295-398). London: Hogarth Press. (Originally published in 1950 as Aus den AnfaЁngen der Psychoanalyse, in London by Imago Publishing.)■ Freud, S. (1976). Lecture 18-Fixation to traumas-the unconscious. In J. Strachey (Ed.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 16, p. 285). London: Hogarth Press.■ Galileo, G. (1990). Il saggiatore [The assayer]. In S. Drake (Ed.), Discoveries and opinions of Galileo. New York: Anchor Books. (Originally published in 1623.)■ Gassendi, P. (1970). Letter to Descartes. In "Objections and replies." In E. S. Haldane & G.R.T. Ross (Eds.), The philosophical works of Descartes (Vol. 2, pp. 179-240). Cambridge: Cambridge University Press. (Originally published in 1641.)■ Gazzaniga, M. S. (1988). Mind matters: How mind and brain interact to create our conscious lives. Boston: Houghton Mifflin in association with MIT Press/Bradford Books.■ Genesereth, M. R., & N. J. Nilsson (1987). Logical foundations of artificial intelligence. Palo Alto, CA: Morgan Kaufmann.■ Ghiselin, B. (1952). The creative process. New York: Mentor.■ Ghiselin, B. (1985). The creative process. Berkeley, CA: University of California Press. (Originally published in 1952.)■ Gilhooly, K. J. (1996). Thinking: Directed, undirected and creative (3rd ed.). London: Academic Press.■ Glass, A. L., K. J. Holyoak & J. L. Santa (1979). Cognition. Reading, MA: AddisonWesley.■ Goody, J. (1977). The domestication of the savage mind. Cambridge: Cambridge University Press.■ Gruber, H. E. (1980). Darwin on man: A psychological study of scientific creativity (2nd ed.). Chicago: University of Chicago Press.■ Gruber, H. E., & S. Davis (1988). Inching our way up Mount Olympus: The evolving systems approach to creative thinking. In R. J. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives. Cambridge: Cambridge University Press.■ Guthrie, E. R. (1972). The psychology of learning. New York: Harper. (Originally published in 1935.)■ Habermas, J. (1972). Knowledge and human interests. Boston: Beacon Press.■ Hadamard, J. (1945). The psychology of invention in the mathematical field. Princeton, NJ: Princeton University Press.■ Hand, D. J. (1985). Artificial intelligence and psychiatry. Cambridge: Cambridge University Press.■ Harris, M. (1981). The language myth. London: Duckworth.■ Haugeland, J. (Ed.) (1981). Mind design: Philosophy, psychology, artificial intelligence. Cambridge, MA: MIT Press/Bradford Books.■ Haugeland, J. (1981a). The nature and plausibility of cognitivism. In J. Haugeland (Ed.), Mind design: Philosophy, psychology, artificial intelligence (pp. 243-281). Cambridge, MA: MIT Press.■ Haugeland, J. (1981b). Semantic engines: An introduction to mind design. In J. Haugeland (Ed.), Mind design: Philosophy, psychology, artificial intelligence (pp. 1-34). Cambridge, MA: MIT Press/Bradford Books.■ Haugeland, J. (1985). Artificial intelligence: The very idea. Cambridge, MA: MIT Press.■ Hawkes, T. (1977). Structuralism and semiotics. Berkeley: University of California Press.■ Hebb, D. O. (1949). The organisation of behaviour. New York: Wiley.■ Hebb, D. O. (1958). A textbook of psychology. Philadelphia: Saunders.■ Hegel, G.W.F. (1910). The phenomenology of mind. J. B. Baille (Trans.). London: Sonnenschein. (Originally published as Phaenomenologie des Geistes, 1807.)■ Heisenberg, W. (1958). Physics and philosophy. New York: Harper & Row.■ Hempel, C. G. (1966). Philosophy of natural science. Englewood Cliffs, NJ: PrenticeHall.■ Herman, A. (1997). The idea of decline in Western history. New York: Free Press.■ Herrnstein, R. J., & E. G. Boring (Eds.) (1965). A source book in the history of psy chology. Cambridge, MA: Harvard University Press.■ Herzmann, E. (1964). Mozart's creative process. In P. H. Lang (Ed.), The creative world of Mozart (pp. 17-30). London: Oldbourne Press.■ Hilgard, E. R. (1957). Introduction to psychology. London: Methuen.■ Hobbes, T. (1651). Leviathan. London: Crooke.■ Holliday, S. G., & M. J. Chandler (1986). Wisdom: Explorations in adult competence. Basel, Switzerland: Karger.■ Horn, J. L. (1986). In R. J. Sternberg (Ed.), Advances in the psychology of human intelligence (Vol. 3). Hillsdale, NJ: Erlbaum.■ Hull, C. (1943). Principles of behavior. New York: Appleton-Century-Crofts.■ Hume, D. (1955). An inquiry concerning human understanding. New York: Liberal Arts Press. (Originally published in 1748.)■ Hume, D. (1975). An enquiry concerning human understanding. In L. A. SelbyBigge (Ed.), Hume's enquiries (3rd. ed., revised P. H. Nidditch). Oxford: Clarendon. (Spelling and punctuation revised.) (Originally published in 1748.)■ Hume, D. (1978). A treatise of human nature. L. A. Selby-Bigge (Ed.), Hume's enquiries (3rd. ed., revised P. H. Nidditch). Oxford: Clarendon. (With some modifications of spelling and punctuation.) (Originally published in 1690.)■ Hunt, E. (1973). The memory we must have. In R. C. Schank & K. M. Colby (Eds.), Computer models of thought and language. (pp. 343-371) San Francisco: W. H. Freeman.■ Husserl, E. (1960). Cartesian meditations. The Hague: Martinus Nijhoff.■ Inhelder, B., & J. Piaget (1958). The growth of logical thinking from childhood to adolescence. New York: Basic Books. (Originally published in 1955 as De la logique de l'enfant a` la logique de l'adolescent. [Paris: Presses Universitaire de France])■ James, W. (1890a). The principles of psychology (Vol. 1). New York: Dover Books.■ James, W. (1890b). The principles of psychology. New York: Henry Holt.■ Jevons, W. S. (1900). The principles of science (2nd ed.). London: Macmillan.■ Johnson, G. (1986). Machinery of the mind: Inside the new science of artificial intelli gence. New York: Random House.■ Johnson-Laird, P. N. (1983). Mental models: Toward a cognitive science of language, inference, and consciousness. Cambridge, MA: Harvard University Press.■ Johnson-Laird, P. N. (1988). The computer and the mind: An introduction to cognitive science. Cambridge, MA: Harvard University Press.■ Jones, E. (1961). The life and work of Sigmund Freud. L. Trilling & S. Marcus (Eds.). London: Hogarth.■ Jones, R. V. (1985). Complementarity as a way of life. In A. P. French & P. J. Kennedy (Eds.), Niels Bohr: A centenary volume. Cambridge, MA: Harvard University Press.■ Kant, I. (1933). Critique of Pure Reason (2nd ed.). N. K. Smith (Trans.). London: Macmillan. (Originally published in 1781 as Kritik der reinen Vernunft.)■ Kant, I. (1891). Solution of the general problems of the Prolegomena. In E. Belfort (Trans.), Kant's Prolegomena. London: Bell. (With minor modifications.) (Originally published in 1783.)■ Katona, G. (1940). Organizing and memorizing: Studies in the psychology of learning and teaching. New York: Columbia University Press.■ Kaufman, A. S. (1979). Intelligent testing with the WISC-R. New York: Wiley.■ Koestler, A. (1964). The act of creation. New York: Arkana (Penguin).■ Kohlberg, L. (1971). From is to ought. In T. Mischel (Ed.), Cognitive development and epistemology. (pp. 151-235) New York: Academic Press.■ KoЁhler, W. (1925). The mentality of apes. New York: Liveright.■ KoЁhler, W. (1927). The mentality of apes (2nd ed.). Ella Winter (Trans.). London: Routledge & Kegan Paul.■ KoЁhler, W. (1930). Gestalt psychology. London: G. Bell.■ KoЁhler, W. (1947). Gestalt psychology. New York: Liveright.■ KoЁhler, W. (1969). The task of Gestalt psychology. Princeton, NJ: Princeton University Press.■ Kuhn, T. (1970). The structure of scientific revolutions (2nd ed.). Chicago: University of Chicago Press.■ Langer, E. J. (1989). Mindfulness. Reading, MA: Addison-Wesley.■ Langer, S. (1962). Philosophical sketches. Baltimore: Johns Hopkins University Press.■ Langley, P., H. A. Simon, G. L. Bradshaw & J. M. Zytkow (1987). Scientific dis covery: Computational explorations of the creative process. Cambridge, MA: MIT Press.■ Lashley, K. S. (1951). The problem of serial order in behavior. In L. A. Jeffress (Ed.), Cerebral mechanisms in behavior, the Hixon Symposium (pp. 112-146) New York: Wiley.■ LeDoux, J. E., & W. Hirst (1986). Mind and brain: Dialogues in cognitive neuroscience. Cambridge: Cambridge University Press.■ Lehnert, W. (1978). The process of question answering. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Leiber, J. (1991). Invitation to cognitive science. Oxford: Blackwell.■ Lenat, D. B., & G. Harris (1978). Designing a rule system that searches for scientific discoveries. In D. A. Waterman & F. Hayes-Roth (Eds.), Pattern directed inference systems (pp. 25-52) New York: Academic Press.■ Levenson, T. (1995). Measure for measure: A musical history of science. New York: Touchstone. (Originally published in 1994.)■ Leґvi-Strauss, C. (1963). Structural anthropology. C. Jacobson & B. Grundfest Schoepf (Trans.). New York: Basic Books. (Originally published in 1958.)■ Levine, M. W., & J. M. Schefner (1981). Fundamentals of sensation and perception. London: Addison-Wesley.■ Lewis, C. I. (1946). An analysis of knowledge and valuation. LaSalle, IL: Open Court.■ Lighthill, J. (1972). A report on artificial intelligence. Unpublished manuscript, Science Research Council.■ Lipman, M., A. M. Sharp & F. S. Oscanyan (1980). Philosophy in the classroom. Philadelphia: Temple University Press.■ Lippmann, W. (1965). Public opinion. New York: Free Press. (Originally published in 1922.)■ Locke, J. (1956). An essay concerning human understanding. Chicago: Henry Regnery Co. (Originally published in 1690.)■ Locke, J. (1975). An essay concerning human understanding. P. H. Nidditch (Ed.). Oxford: Clarendon. (Originally published in 1690.) (With spelling and punctuation modernized and some minor modifications of phrasing.)■ Lopate, P. (1994). The art of the personal essay. New York: Doubleday/Anchor Books.■ Lorimer, F. (1929). The growth of reason. London: Kegan Paul. Machlup, F., & U. Mansfield (Eds.) (1983). The study of information. New York: Wiley.■ Manguel, A. (1996). A history of reading. New York: Viking.■ Markey, J. F. (1928). The symbolic process. London: Kegan Paul.■ Martin, R. M. (1969). On Ziff's "Natural and formal languages." In S. Hook (Ed.), Language and philosophy: A symposium (pp. 249-263). New York: New York University Press.■ Mazlish, B. (1993). The fourth discontinuity: the co- evolution of humans and machines. New Haven, CT: Yale University Press.■ McCarthy, J., & P. J. Hayes (1969). Some philosophical problems from the standpoint of artificial intelligence. In B. Meltzer & D. Michie (Eds.), Machine intelligence 4. Edinburgh: Edinburgh University Press.■ McClelland, J. L., D. E. Rumelhart & G. E. Hinton (1986). The appeal of parallel distributed processing. In D. E. Rumelhart, J. L. McClelland & the PDP Research Group (Eds.), Parallel distributed processing: Explorations in the mi crostructure of cognition (Vol. 1, pp. 3-40). Cambridge, MA: MIT Press/ Bradford Books.■ McCorduck, P. (1979). Machines who think. San Francisco: W. H. Freeman.■ McLaughlin, T. (1970). Music and communication. London: Faber & Faber.■ Mednick, S. A. (1962). The associative basis of the creative process. Psychological Review 69, 431-436.■ Meehl, P. E., & C. J. Golden (1982). Taxometric methods. In Kendall, P. C., & Butcher, J. N. (Eds.), Handbook of research methods in clinical psychology (pp. 127-182). New York: Wiley.■ Mehler, J., E.C.T. Walker & M. Garrett (Eds.) (1982). Perspectives on mental rep resentation: Experimental and theoretical studies of cognitive processes and ca pacities. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Mill, J. S. (1900). A system of logic, ratiocinative and inductive: Being a connected view of the principles of evidence and the methods of scientific investigation. London: Longmans, Green.■ Miller, G. A. (1979, June). A very personal history. Talk to the Cognitive Science Workshop, Cambridge, MA.■ Miller, J. (1983). States of mind. New York: Pantheon Books.■ Minsky, M. (1975). A framework for representing knowledge. In P. H. Winston (Ed.), The psychology of computer vision (pp. 211-277). New York: McGrawHill.■ Minsky, M., & S. Papert (1973). Artificial intelligence. Condon Lectures, Oregon State System of Higher Education, Eugene, Oregon.■ Minsky, M. L. (1986). The society of mind. New York: Simon & Schuster.■ Mischel, T. (1976). Psychological explanations and their vicissitudes. In J. K. Cole & W. J. Arnold (Eds.), Nebraska Symposium on motivation (Vol. 23). Lincoln, NB: University of Nebraska Press.■ Morford, M.P.O., & R. J. Lenardon (1995). Classical mythology (5th ed.). New York: Longman.■ Murdoch, I. (1954). Under the net. New York: Penguin.■ Nagel, E. (1959). Methodological issues in psychoanalytic theory. In S. Hook (Ed.), Psychoanalysis, scientific method, and philosophy: A symposium. New York: New York University Press.■ Nagel, T. (1979). Mortal questions. London: Cambridge University Press.■ Nagel, T. (1986). The view from nowhere. Oxford: Oxford University Press.■ Neisser, U. (1967). Cognitive psychology. New York: Appleton-Century-Crofts.■ Neisser, U. (1972). Changing conceptions of imagery. In P. W. Sheehan (Ed.), The function and nature of imagery (pp. 233-251). London: Academic Press.■ Neisser, U. (1976). Cognition and reality. San Francisco: W. H. Freeman.■ Neisser, U. (1978). Memory: What are the important questions? In M. M. Gruneberg, P. E. Morris & R. N. Sykes (Eds.), Practical aspects of memory (pp. 3-24). London: Academic Press.■ Neisser, U. (1979). The concept of intelligence. In R. J. Sternberg & D. K. Detterman (Eds.), Human intelligence: Perspectives on its theory and measurement (pp. 179-190). Norwood, NJ: Ablex.■ Nersessian, N. (1992). How do scientists think? Capturing the dynamics of conceptual change in science. In R. N. Giere (Ed.), Cognitive models of science (pp. 3-44). Minneapolis: University of Minnesota Press.■ Newell, A. (1973a). Artificial intelligence and the concept of mind. In R. C. Schank & K. M. Colby (Eds.), Computer models of thought and language (pp. 1-60). San Francisco: W. H. Freeman.■ Newell, A. (1973b). You can't play 20 questions with nature and win. In W. G. Chase (Ed.), Visual information processing (pp. 283-310). New York: Academic Press.■ Newell, A., & H. A. Simon (1963). GPS: A program that simulates human thought. In E. A. Feigenbaum & J. Feldman (Eds.), Computers and thought (pp. 279-293). New York & McGraw-Hill.■ Newell, A., & H. A. Simon (1972). Human problem solving. Englewood Cliffs, NJ: Prentice-Hall.■ Nietzsche, F. (1966). Beyond good and evil. W. Kaufmann (Trans.). New York: Vintage. (Originally published in 1885.)■ Nilsson, N. J. (1971). Problem- solving methods in artificial intelligence. New York: McGraw-Hill.■ Nussbaum, M. C. (1978). Aristotle's Princeton University Press. De Motu Anamalium. Princeton, NJ:■ Oersted, H. C. (1920). Thermo-electricity. In Kirstine Meyer (Ed.), H. C. Oersted, Natuurvidenskabelige Skrifter (Vol. 2). Copenhagen: n.p. (Originally published in 1830 in The Edinburgh encyclopaedia.)■ Ong, W. J. (1982). Orality and literacy: The technologizing of the word. London: Methuen.■ Onians, R. B. (1954). The origins of European thought. Cambridge, MA: Cambridge University Press.■ Osgood, C. E. (1960). Method and theory in experimental psychology. New York: Oxford University Press. (Originally published in 1953.)■ Osgood, C. E. (1966). Language universals and psycholinguistics. In J. H. Greenberg (Ed.), Universals of language (2nd ed., pp. 299-322). Cambridge, MA: MIT Press.■ Palmer, R. E. (1969). Hermeneutics. Evanston, IL: Northwestern University Press.■ Peirce, C. S. (1934). Some consequences of four incapacities-Man, a sign. In C. Hartsborne & P. Weiss (Eds.), Collected papers of Charles Saunders Peirce (Vol. 5, pp. 185-189). Cambridge, MA: Harvard University Press.■ Penfield, W. (1959). In W. Penfield & L. Roberts, Speech and brain mechanisms. Princeton, NJ: Princeton University Press.■ Penrose, R. (1994). Shadows of the mind: A search for the missing science of conscious ness. Oxford: Oxford University Press.■ Perkins, D. N. (1981). The mind's best work. Cambridge, MA: Harvard University Press.■ Peterfreund, E. (1986). The heuristic approach to psychoanalytic therapy. In■ J. Reppen (Ed.), Analysts at work, (pp. 127-144). Hillsdale, NJ: Analytic Press.■ Piaget, J. (1952). The origin of intelligence in children. New York: International Universities Press. (Originally published in 1936.)■ Piaget, J. (1954). Le langage et les opeґrations intellectuelles. Proble` mes de psycho linguistique. Symposium de l'Association de Psychologie Scientifique de Langue Francёaise. Paris: Presses Universitaires de France.■ Piaget, J. (1977). Problems of equilibration. In H. E. Gruber & J. J. Voneche (Eds.), The essential Piaget (pp. 838-841). London: Routlege & Kegan Paul. (Originally published in 1975 as L'eґquilibration des structures cognitives [Paris: Presses Universitaires de France].)■ Piaget, J., & B. Inhelder. (1973). Memory and intelligence. New York: Basic Books.■ Pinker, S. (1994). The language instinct. New York: Morrow.■ Pinker, S. (1996). Facts about human language relevant to its evolution. In J.-P. Changeux & J. Chavaillon (Eds.), Origins of the human brain. A symposium of the Fyssen foundation (pp. 262-283). Oxford: Clarendon Press. Planck, M. (1949). Scientific autobiography and other papers. F. Gaynor (Trans.). New York: Philosophical Library.■ Planck, M. (1990). Wissenschaftliche Selbstbiographie. W. Berg (Ed.). Halle, Germany: Deutsche Akademie der Naturforscher Leopoldina.■ Plato (1892). Meno. In The Dialogues of Plato (B. Jowett, Trans.; Vol. 2). New York: Clarendon. (Originally published circa 380 B.C.)■ Poincareґ, H. (1913). Mathematical creation. In The foundations of science. G. B. Halsted (Trans.). New York: Science Press.■ Poincareґ, H. (1921). The foundations of science: Science and hypothesis, the value of science, science and method. G. B. Halstead (Trans.). New York: Science Press.■ Poincareґ, H. (1929). The foundations of science: Science and hypothesis, the value of science, science and method. New York: Science Press.■ Poincareґ, H. (1952). Science and method. F. Maitland (Trans.) New York: Dover.■ Polya, G. (1945). How to solve it. Princeton, NJ: Princeton University Press.■ Polanyi, M. (1958). Personal knowledge. London: Routledge & Kegan Paul.■ Popper, K. (1968). Conjectures and refutations: The growth of scientific knowledge. New York: Harper & Row/Basic Books.■ Popper, K., & J. Eccles (1977). The self and its brain. New York: Springer-Verlag.■ Popper, K. R. (1959). The logic of scientific discovery. London: Hutchinson.■ Putnam, H. (1975). Mind, language and reality: Philosophical papers (Vol. 2). Cambridge: Cambridge University Press.■ Putnam, H. (1987). The faces of realism. LaSalle, IL: Open Court.■ Pylyshyn, Z. W. (1981). The imagery debate: Analog media versus tacit knowledge. In N. Block (Ed.), Imagery (pp. 151-206). Cambridge, MA: MIT Press.■ Pylyshyn, Z. W. (1984). Computation and cognition: Towards a foundation for cog nitive science. Cambridge, MA: MIT Press/Bradford Books.■ Quillian, M. R. (1968). Semantic memory. In M. Minsky (Ed.), Semantic information processing (pp. 216-260). Cambridge, MA: MIT Press.■ Quine, W.V.O. (1960). Word and object. Cambridge, MA: Harvard University Press.■ Rabbitt, P.M.A., & S. Dornic (Eds.). Attention and performance (Vol. 5). London: Academic Press.■ Rawlins, G.J.E. (1997). Slaves of the Machine: The quickening of computer technology. Cambridge, MA: MIT Press/Bradford Books.■ Reid, T. (1970). An inquiry into the human mind on the principles of common sense. In R. Brown (Ed.), Between Hume and Mill: An anthology of British philosophy- 1749- 1843 (pp. 151-178). New York: Random House/Modern Library.■ Reitman, W. (1970). What does it take to remember? In D. A. Norman (Ed.), Models of human memory (pp. 470-510). London: Academic Press.■ Ricoeur, P. (1974). Structure and hermeneutics. In D. I. Ihde (Ed.), The conflict of interpretations: Essays in hermeneutics (pp. 27-61). Evanston, IL: Northwestern University Press.■ Robinson, D. N. (1986). An intellectual history of psychology. Madison: University of Wisconsin Press.■ Rorty, R. (1979). Philosophy and the mirror of nature. Princeton, NJ: Princeton University Press.■ Rosch, E. (1977). Human categorization. In N. Warren (Ed.), Studies in cross cultural psychology (Vol. 1, pp. 1-49) London: Academic Press.■ Rosch, E. (1978). Principles of categorization. In E. Rosch & B. B. Lloyd (Eds.), Cognition and categorization (pp. 27-48). Hillsdale, NJ: Lawrence Erlbaum Associates.■ Rosch, E., & B. B. Lloyd (1978). Principles of categorization. In E. Rosch & B. B. Lloyd (Eds.), Cognition and categorization. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Rose, S. (1970). The chemistry of life. Baltimore: Penguin Books.■ Rose, S. (1976). The conscious brain (updated ed.). New York: Random House.■ Rose, S. (1993). The making of memory: From molecules to mind. New York: Anchor Books. (Originally published in 1992)■ Roszak, T. (1994). The cult of information: A neo- Luddite treatise on high- tech, artificial intelligence, and the true art of thinking (2nd ed.). Berkeley: University of California Press.■ Royce, J. R., & W. W. Rozeboom (Eds.) (1972). The psychology of knowing. New York: Gordon & Breach.■ Rumelhart, D. E. (1977). Introduction to human information processing. New York: Wiley.■ Rumelhart, D. E. (1980). Schemata: The building blocks of cognition. In R. J. Spiro, B. Bruce & W. F. Brewer (Eds.), Theoretical issues in reading comprehension. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Rumelhart, D. E., & J. L. McClelland (1986). On learning the past tenses of English verbs. In J. L. McClelland & D. E. Rumelhart (Eds.), Parallel distributed processing: Explorations in the microstructure of cognition (Vol. 2). Cambridge, MA: MIT Press.■ Rumelhart, D. E., P. Smolensky, J. L. McClelland & G. E. Hinton (1986). Schemata and sequential thought processes in PDP models. In J. L. McClelland, D. E. Rumelhart & the PDP Research Group (Eds.), Parallel Distributed Processing (Vol. 2, pp. 7-57). Cambridge, MA: MIT Press.■ Russell, B. (1927). An outline of philosophy. London: G. Allen & Unwin.■ Russell, B. (1961). History of Western philosophy. London: George Allen & Unwin.■ Russell, B. (1965). How I write. In Portraits from memory and other essays. London: Allen & Unwin.■ Russell, B. (1992). In N. Griffin (Ed.), The selected letters of Bertrand Russell (Vol. 1), The private years, 1884- 1914. Boston: Houghton Mifflin. Ryecroft, C. (1966). Psychoanalysis observed. London: Constable.■ Sagan, C. (1978). The dragons of Eden: Speculations on the evolution of human intel ligence. New York: Ballantine Books.■ Salthouse, T. A. (1992). Expertise as the circumvention of human processing limitations. In K. A. Ericsson & J. Smith (Eds.), Toward a general theory of expertise: Prospects and limits (pp. 172-194). Cambridge: Cambridge University Press.■ Sanford, A. J. (1987). The mind of man: Models of human understanding. New Haven, CT: Yale University Press.■ Sapir, E. (1921). Language. New York: Harcourt, Brace, and World.■ Sapir, E. (1964). Culture, language, and personality. Berkeley: University of California Press. (Originally published in 1941.)■ Sapir, E. (1985). The status of linguistics as a science. In D. G. Mandelbaum (Ed.), Selected writings of Edward Sapir in language, culture and personality (pp. 160166). Berkeley: University of California Press. (Originally published in 1929).■ Scardmalia, M., & C. Bereiter (1992). Literate expertise. In K. A. Ericsson & J. Smith (Eds.), Toward a general theory of expertise: Prospects and limits (pp. 172-194). Cambridge: Cambridge University Press.■ Schafer, R. (1954). Psychoanalytic interpretation in Rorschach testing. New York: Grune & Stratten.■ Schank, R. C. (1973). Identification of conceptualizations underlying natural language. In R. C. Schank & K. M. Colby (Eds.), Computer models of thought and language (pp. 187-248). San Francisco: W. H. Freeman.■ Schank, R. C. (1976). The role of memory in language processing. In C. N. Cofer (Ed.), The structure of human memory. (pp. 162-189) San Francisco: W. H. Freeman.■ Schank, R. C. (1986). Explanation patterns: Understanding mechanically and creatively. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Schank, R. C., & R. P. Abelson (1977). Scripts, plans, goals, and understanding. Hillsdale, NJ: Lawrence Erlbaum Associates.■ SchroЁdinger, E. (1951). Science and humanism. Cambridge: Cambridge University Press.■ Searle, J. R. (1981a). Minds, brains, and programs. In J. Haugeland (Ed.), Mind design: Philosophy, psychology, artificial intelligence (pp. 282-306). Cambridge, MA: MIT Press.■ Searle, J. R. (1981b). Minds, brains and programs. In D. Hofstadter & D. Dennett (Eds.), The mind's I (pp. 353-373). New York: Basic Books.■ Searle, J. R. (1983). Intentionality. New York: Cambridge University Press.■ Serres, M. (1982). The origin of language: Biology, information theory, and thermodynamics. M. Anderson (Trans.). In J. V. Harari & D. F. Bell (Eds.), Hermes: Literature, science, philosophy (pp. 71-83). Baltimore: Johns Hopkins University Press.■ Simon, H. A. (1966). Scientific discovery and the psychology of problem solving. In R. G. Colodny (Ed.), Mind and cosmos: Essays in contemporary science and philosophy (pp. 22-40). Pittsburgh: University of Pittsburgh Press.■ Simon, H. A. (1979). Models of thought. New Haven, CT: Yale University Press.■ Simon, H. A. (1989). The scientist as a problem solver. In D. Klahr & K. Kotovsky (Eds.), Complex information processing: The impact of Herbert Simon. Hillsdale, N.J.: Lawrence Erlbaum Associates.■ Simon, H. A., & C. Kaplan (1989). Foundations of cognitive science. In M. Posner (Ed.), Foundations of cognitive science (pp. 1-47). Cambridge, MA: MIT Press.■ Simonton, D. K. (1988). Creativity, leadership and chance. In R. J. Sternberg (Ed.), The nature of creativity. Cambridge: Cambridge University Press.■ Skinner, B. F. (1974). About behaviorism. New York: Knopf.■ Smith, E. E. (1988). Concepts and thought. In J. Sternberg & E. E. Smith (Eds.), The psychology of human thought (pp. 19-49). Cambridge: Cambridge University Press.■ Smith, E. E. (1990). Thinking: Introduction. In D. N. Osherson & E. E. Smith (Eds.), Thinking. An invitation to cognitive science. (Vol. 3, pp. 1-2). Cambridge, MA: MIT Press.■ Socrates. (1958). Meno. In E. H. Warmington & P. O. Rouse (Eds.), Great dialogues of Plato W.H.D. Rouse (Trans.). New York: New American Library. (Original publication date unknown.)■ Solso, R. L. (1974). Theories of retrieval. In R. L. Solso (Ed.), Theories in cognitive psychology. Potomac, MD: Lawrence Erlbaum Associates.■ Spencer, H. (1896). The principles of psychology. New York: Appleton-CenturyCrofts.■ Steiner, G. (1975). After Babel: Aspects of language and translation. New York: Oxford University Press.■ Sternberg, R. J. (1977). Intelligence, information processing, and analogical reasoning. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Sternberg, R. J. (1994). Intelligence. In R. J. Sternberg, Thinking and problem solving. San Diego: Academic Press.■ Sternberg, R. J., & J. E. Davidson (1985). Cognitive development in gifted and talented. In F. D. Horowitz & M. O'Brien (Eds.), The gifted and talented (pp. 103-135). Washington, DC: American Psychological Association.■ Storr, A. (1993). The dynamics of creation. New York: Ballantine Books. (Originally published in 1972.)■ Stumpf, S. E. (1994). Philosophy: History and problems (5th ed.). New York: McGraw-Hill.■ Sulloway, F. J. (1996). Born to rebel: Birth order, family dynamics, and creative lives. New York: Random House/Vintage Books.■ Thorndike, E. L. (1906). Principles of teaching. New York: A. G. Seiler.■ Thorndike, E. L. (1970). Animal intelligence: Experimental studies. Darien, CT: Hafner Publishing Co. (Originally published in 1911.)■ Titchener, E. B. (1910). A textbook of psychology. New York: Macmillan.■ Titchener, E. B. (1914). A primer of psychology. New York: Macmillan.■ Toulmin, S. (1957). The philosophy of science. London: Hutchinson.■ Tulving, E. (1972). Episodic and semantic memory. In E. Tulving & W. Donaldson (Eds.), Organisation of memory. London: Academic Press.■ Turing, A. (1946). In B. E. Carpenter & R. W. Doran (Eds.), ACE reports of 1946 and other papers. Cambridge, MA: MIT Press.■ Turkle, S. (1984). Computers and the second self: Computers and the human spirit. New York: Simon & Schuster.■ Tyler, S. A. (1978). The said and the unsaid: Mind, meaning, and culture. New York: Academic Press.■ van Heijenoort (Ed.) (1967). From Frege to Goedel. Cambridge: Harvard University Press.■ Varela, F. J. (1984). The creative circle: Sketches on the natural history of circularity. In P. Watzlawick (Ed.), The invented reality (pp. 309-324). New York: W. W. Norton.■ Voltaire (1961). On the Penseґs of M. Pascal. In Philosophical letters (pp. 119-146). E. Dilworth (Trans.). Indianapolis: Bobbs-Merrill.■ Wagman, M. (1991a). Artificial intelligence and human cognition: A theoretical inter comparison of two realms of intellect. Westport, CT: Praeger.■ Wagman, M. (1991b). Cognitive science and concepts of mind: Toward a general theory of human and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1993). Cognitive psychology and artificial intelligence: Theory and re search in cognitive science. Westport, CT: Praeger.■ Wagman, M. (1995). The sciences of cognition: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1996). Human intellect and cognitive science: Toward a general unified theory of intelligence. Westport, CT: Praeger.■ Wagman, M. (1997a). Cognitive science and the symbolic operations of human and artificial intelligence: Theory and research into the intellective processes. Westport, CT: Praeger.■ Wagman, M. (1997b). The general unified theory of intelligence: Central conceptions and specific application to domains of cognitive science. Westport, CT: Praeger.■ Wagman, M. (1998a). Cognitive science and the mind- body problem: From philosophy to psychology to artificial intelligence to imaging of the brain. Westport, CT: Praeger.■ Wagman, M. (1998b). Language and thought in humans and computers: Theory and research in psychology, artificial intelligence, and neural science. Westport, CT: Praeger.■ Wagman, M. (1998c). The ultimate objectives of artificial intelligence: Theoretical and research foundations, philosophical and psychological implications. Westport, CT: Praeger.■ Wagman, M. (1999). The human mind according to artificial intelligence: Theory, re search, and implications. Westport, CT: Praeger.■ Wagman, M. (2000). Scientific discovery processes in humans and computers: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wall, R. (1972). Introduction to mathematical linguistics. Englewood Cliffs, NJ: Prentice-Hall.■ Wallas, G. (1926). The Art of Thought. New York: Harcourt, Brace & Co.■ Wason, P. (1977). Self contradictions. In P. Johnson-Laird & P. Wason (Eds.), Thinking: Readings in cognitive science. Cambridge: Cambridge University Press.■ Wason, P. C., & P. N. Johnson-Laird. (1972). Psychology of reasoning: Structure and content. Cambridge, MA: Harvard University Press.■ Watson, J. (1930). Behaviorism. New York: W. W. Norton.■ Watzlawick, P. (1984). Epilogue. In P. Watzlawick (Ed.), The invented reality. New York: W. W. Norton, 1984.■ Weinberg, S. (1977). The first three minutes: A modern view of the origin of the uni verse. New York: Basic Books.■ Weisberg, R. W. (1986). Creativity: Genius and other myths. New York: W. H. Freeman.■ Weizenbaum, J. (1976). Computer power and human reason: From judgment to cal culation. San Francisco: W. H. Freeman.■ Wertheimer, M. (1945). Productive thinking. New York: Harper & Bros.■ Whitehead, A. N. (1925). Science and the modern world. New York: Macmillan.■ Whorf, B. L. (1956). In J. B. Carroll (Ed.), Language, thought and reality: Selected writings of Benjamin Lee Whorf. Cambridge, MA: MIT Press.■ Whyte, L. L. (1962). The unconscious before Freud. New York: Anchor Books.■ Wiener, N. (1954). The human use of human beings. Boston: Houghton Mifflin.■ Wiener, N. (1964). God & Golem, Inc.: A comment on certain points where cybernetics impinges on religion. Cambridge, MA: MIT Press.■ Winograd, T. (1972). Understanding natural language. New York: Academic Press.■ Winston, P. H. (1987). Artificial intelligence: A perspective. In E. L. Grimson & R. S. Patil (Eds.), AI in the 1980s and beyond (pp. 1-12). Cambridge, MA: MIT Press.■ Winston, P. H. (Ed.) (1975). The psychology of computer vision. New York: McGrawHill.■ Wittgenstein, L. (1953). Philosophical investigations. Oxford: Basil Blackwell.■ Wittgenstein, L. (1958). The blue and brown books. New York: Harper Colophon.■ Woods, W. A. (1975). What's in a link: Foundations for semantic networks. In D. G. Bobrow & A. Collins (Eds.), Representations and understanding: Studies in cognitive science (pp. 35-84). New York: Academic Press.■ Woodworth, R. S. (1938). Experimental psychology. New York: Holt; London: Methuen (1939).■ Wundt, W. (1904). Principles of physiological psychology (Vol. 1). E. B. Titchener (Trans.). New York: Macmillan.■ Wundt, W. (1907). Lectures on human and animal psychology. J. E. Creighton & E. B. Titchener (Trans.). New York: Macmillan.■ Young, J. Z. (1978). Programs of the brain. New York: Oxford University Press.■ Ziman, J. (1978). Reliable knowledge: An exploration of the grounds for belief in science. Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
См. также в других словарях:
Bruce Lee — Sculpture de Bruce Lee sur l Avenue des Stars à Hong Kong. Données clés Nom de naissance … Wikipédia en Français
Bruce Lee — (27 de noviembre de 1940 20 de julio de 1973) artista marcial, filósofo y actor nacido en San Francisco, California (Estados Unidos). Renovador de las artes marciales, dedicó su vida a esta disciplina, buscando la perfección y la verdad … Enciclopedia Universal
Bruce Lee — Infobox Chinese language singer and actor name = Bruce Lee caption = Bruce Lee birthname = Lee Jun Fan (李振藩) tradchinesename = 李小龍 simpchinesename = 李小龙 pinyinchinesename = Lǐ Xiǎolóng jyutpingchinesename = Lei5 Siu2lung4 birthdate = birth… … Wikipedia
Bruce Lee — Este artículo o sección necesita referencias que aparezcan en una publicación acreditada, como revistas especializadas, monografías, prensa diaria o páginas de Internet fidedignas. Puedes añadirlas así o avisar al autor pri … Wikipedia Español
Bruce Lee — Stencil von Bruce Lee Wachsfigur von Bru … Deutsch Wikipedia
Bruce Lee's Fighting Method — is a book on Bruce Lee s martial system Jeet Kune Do. The book is available as a single hardback volume or a series of four paperback volumes. The text describes Lee s fighting philosophy, techniques, training methods and strategies. The making… … Wikipedia
Bruce Lee Library — is a series of volumes covering Bruce Lee s life and martial arts system of Jeet Kune Do. The volumes were compiled and edited by John Little; famous as a Bruce Lee biographer. John Little was selected by the Bruce Lee estate as the only person… … Wikipedia
Bruce Lee (arsonist) — Bruce George Peter Lee (born Peter Dinsdale in Manchester, July 31 1960) became one of Britain’s most prolific killers when he was convicted of 26 charges of manslaughter in 1981. BackgroundThe son of a prostitute, Lee was brought up in… … Wikipedia
Bruce Lee (игра) — Bruce Lee Разработчик Datasoft Inc Издатель Datasoft Inc, U.S. Gold, Comptiq Дата выпуска 1984 Жанр платформер … Википедия
Bruce Lee (jeu vidéo) — Bruce Lee Éditeur Datasoft Inc, U.S. Gold, Comptiq Développeur Datasoft Inc Concepteur Ron J. Fortier Date de sortie 1984 Genre Plates formes, Be … Wikipédia en Français
Bruce Lee - Mein letzter Kampf — Dieser Artikel oder Abschnitt bedarf einer Überarbeitung. Näheres ist auf der Diskussionsseite angegeben. Hilf mit, ihn zu verbessern, und entferne anschließend diese Markierung. Filmdaten Deutscher Titel: Bruce Lee – Mein letzter Kampf… … Deutsch Wikipedia
